In Exodus, we read about the beginning, the journey, and the transformation of one of the most prominent figures in the Bible: a man named Moses. In Exodus chapter 4 we see the Lord calling, equipping, and shaping Moses for ministry and the great things in store for his future. Moses could not get past his earthly human limitations, but the Lord rebukes him and puts him in his place.
"Who has made man's mouth? Or who makes him mute or deaf, or seeing, or blind? Is it not I, the Lord?" (Exodus $:11, NASB)
Later, Moses goes on to do great things through the Lord, but eventually forgets who game him the power to do the marvelous acts he had performed. At the peack of his obedience to God and the greatness he experienced there, Moses succumbs to pride and does not obey the Lord's commands (Numbers 20:8-12).
Too often we hear of the athlete, coach, musician, scientist, etc., being overly prideful and arrogant. Many times that pride stems from some kind of success, personal gain, or team achievement. Who gets the credit? Is it the coach, the athlete, the musician, the band, the manager, the conductor, who? We all want accolades and honor for our work, but who deserves the true worship for our success?
It is human nature to want someone or something to devote our attention and service to. We can find it anywhere and associate with many things, but is it truly what should be the focal point of our devotion? As I've said before, we can truly find inspiration from a piece of music that helps us out of a tough spot, but does the piece of music deserve the devotion of our heart? One could argue the artist/writer of the song put forth the effort in the writing and was inspired to compose it in the first place. So should they be the ones to get our admiration?
Well, one could also argue the source of the inspiration for the artist or writer should be the credited source. Is it really? Who gave that person the talent, the motivation, the ability to write and play it? It's the Lord.
We are all like Moses. Each of us at one point or another has had trouble seeing the potential in ourselves because we could only see the dirt, the weaknesses, the shame, the guilt. But the Lord knows us. He created us and he began to mold and shape us for greatness even before we were in the womb.
We must remember where the source of our accomplishments lies. For if we choose to forgo our devotion and reverance to our Creator then we will end up placing our devotion into idols and lifeless (though life-like) things like the people of Israel did when the prophet Jeremiah was called and speaking the Word of God.
"To an image carved from a piece of wood they say, 'You are my father." To an idol chiseled from a block of stone they say, 'You are my mother.' They turn their backs on me, but in times of trouble they call out to me, 'Come and save us." But why not call on these gods you have made? When trouble comes, let them save you if they can!" (Jeremiah 2:26-27 NLT)
This is why it's important to know the source of greatness and marvelousness in our lives. If we worship false sources we create idols. These musicians, athletes, coaches, and scientists seem to be great, but they can only use the talents and skills as have been given them. So if we are afforded the chance to do a wonderful and great act, or we are inspired to better ourselves because of a piece of music we heard, or are stirred to be great because of an awesome athletic performance, we must stop and give thanks to the Lord who chooses to pour out his greatness upon His created. That he would choose to move through our favorite musician, athlete, or other inspirational source is reason for us to give credit to Him who is the Author and the Perfector of Life.
- JARED
Last Updated (Thursday, 02 September 2010 12:56)
There's a New Bass Player and His Name Isn't DanActually, it is. I lied. His name is Dan Soghomonian and he's Armenian and is also our brand new bassist. He's coming to us in the wake of the unfortunate dissolving of a band called Set on Fire, whom we both competed against and shared the stage with at two separate venues on the same day last April. We're thrilled to have him on board and all the screaming and boyish giggling from Sog (a moniker I've decided to apply to him just now) gives us the idea that maybe he's excited as well. Just a tad.
Possibly even more excited than this. After a busy month or two, everything has slowed to a sluggish pace for Slingstone Apostle. Now, it'll slow even more. Or,rather, it'll continue on at this pace of snails covered in molasses in January. Sog has a lot of learning to do before we'll be ready to play another live show. We've already written a brand new tune with him, and the momentum from the creative juices innate there kind of precluded any sincere work on old school songs. So after we're good and tight with our new man, shows will abound, I'm sure. Until then, hang in there and wait like patient little boys and girls. We got some work to do, so we're going to go do it. - TATER
Last Updated (Sunday, 22 August 2010 19:59) Good News and Unfortunate NewsWhich do you want first? Let's go with the less good news first because it's disheartening and a matter that shouldn't be joshed at or with. It's always better to end on a good note anyway. Jim Laurain, our bass player, is no longer our bass player. He left Slingstone Apostle because he's decided to take the time consumed by the band and give it to his wife and to the continuing growth of their marriage. We're certainly going to miss the dimension Jim added to our sound and we wish him well in everything he does. Take care, Jimbo. Now, this whole thing puts us in quite a little predicament. We don't have a bassist. Other than one fella we'll be trying out this Sunday, we have no prospects. This makes Brian, Jared and I a little anxious. We don't have a clue who God has picked out to play bass for us, but we hope he has a mohawk and is made of epic win. Sweet. Epic mohawk win. If there's one thing our band needs it a new and exciting hairstyle.
Maybe not quite that new and possibly a skoesh less exciting... In the interim, we do have a few stand-in guys willing to learn our tunes and play some one-off shows with us. These temporaries are unable to devote the full time commitment involved in something like this. And that's fine. We thank these musicians sincerely from the bottom-end of our hearts. Really. We mean that. For now we're just keeping our spirits high and trusting God and His timing. We know He's got a plan. Our part is to continue to run after HIs face and cast fear and worry to the wayside. So that's what we're going to try and do. Times of uncertainty are always tough, but more often than not, they're times of testing and purifying. We're excited to see how we're going to come out the other side of this situation. Any prayers you could offer up for us in this time would be appreciated. We'll keep you updated on the search. The good news? We wrote a cover song! Now, by definition, one does not "write" a cover song. So I guess we technically "arranged" a cover song. We added our own flavor to a certain tune certain scallywags out there will immediately recognize. We're not going to tell you what it is, though. Not until we have a right proper recording of it. Or at least a roughly acceptable recording. Once we've got that, we'll post it on our Myspace and Purevolume so you can be as excited about this turn of events as we are. We're pretty stoked. It's as fun as all get out to play and beta-testers report it's just as fun to listen to. This is an undertaking we've been talking about for a few months now and that undertaking has turned out pretty grand if I do say so myself. Suffice it to say, this cover shall rock the flippin' boat! Until next time, buccaneers. - TATER
Last Updated (Thursday, 29 July 2010 20:13) Slingstone Apostle: Road Trip the FirstFor those of you unaware, the band played our first out of state show this past weekend. I decided it would be a good idea to log the events of that journey so you could be as there with us as you possibly could be, seeing as how you were not there with us. So here it is. Enjoy. Friday, 12:38 pm The group is pumped and ready to roll.
Behind Jared is Brian's squeeze, Marissa. Behind Brian is Jared's biddy, Beth. It's Brian, Jared, me, and our respective women, Marissa, Beth, and Virginia, along with an impressive collection of Five Iron Frenzy tunes. The journey will be long. It will probably be arduous. There may be roving bands of fuel and/or food-depraved road warriors to contend with, but no one is worried. We have Jared's arms.
Friday, 1:06 pm Friday, 2:07 pm Friday, 3:00 pm Friday, 2:40 pm Friday, 2:53 pm
Our speed is reduced to roughly 10 feet per fifteen minute increment. It is warmer than I'd like. I see a truck that says "water" on the side and I wonder if they would mind if I stole their water. I think probably they would, so I won't walk out of the van and take their water jugs away from them. Virginia and I listen to "This American Life" while Relient K plays over the speakers and semis growl at us like special ed gorillas. I hate them, because they're loud and stupid, which is what I think a special ed gorilla probably sounds like. I feel mildly car sick, which could be horrid, horrid news for the other passengers.
Friday, 3:24 pm
Also, we stop at a gas station for the emptying of bladders. And it's my turn to drive the van. Never driven a van with a trailer behind it toting thousands of dollars of equipment. This might end unfavorably. Friday, 8:52 pm
Saturday, 12:16 am Saturday, 1:45 am
Saturday, 11:56 am The grounds of this place are far more spectacular by daylight. There's rigged outcroppings of rock formations, impossibly green foliage, and it all feels downhill. It's as if someone carved out this place from out of the middle of a mountain. It's neat. After waking, we have breakfast at the main building and it's quite lovely. Omelets, breakfast sandwiches, open-faced gravy-covered concoctions. Altogether, really nice. Saturday, 5:21 pm
We go on stage in 2 hours, and are more than ready. Everyone is itching to play. Jim and I have decided to do a "rock kick" and I'm told it will be neat. All I know is that the kick we rehearsed makes me feel slightly concussed after I do it, and I hope I don't pass out on stage. It wouldn't be the most embarrassing thing to ever happen to me, but it would be in the top 18.
Turns out, the guy who has the keys to the door lives somewhere and some people leave and get the keys from him and stuff. I don't know the specifics. I'm not a part of the fun. But we can get back in our rooms now. Sunday, 12:04 am I play the entirety of "My Escape From Me" with the guitar just off enough for it to grate against my nerves like a cheese grater on a chalkboard. Thankfully, the crowd doesn't seem to notice. The audience isn't huge, but it's appreciative. It isn't like playing to a room of angered jackelopes (I assumed that would be terrifying), but it's also not like playing to a room full of our most favorite fans. It's somewhere in the middle. Like playing to a bunch of people who are mildly intrigued and are enjoying themselves to some extent or another. Toward the end of our set, they seem to take to us like stink on farts. It turns from mild interest to mosh pitting and jump hopping and fist pumping. We are encored after our last song, so we play one more last song. This happened once before at Barry County Christian School in April. This is our second encore to date. There's something about playing an unexpected encore that is really rather rewarding. It's not like when the headlining band walks off stage and in rehearsed unison timing reemerges to perform one of their popular singles. This isn't rehearsed, this isn't expected, and the song we play ("Everything," for those who care) we haven't played in practices for over 3 months. But hey. They demand, so we supply. After our set, we listen to Ballenger's (excellent), we get extra amounts of fatigue piled on top of our usual fatigue. Everyone is huge amounts of tired. Everyone also agrees that this is the kind of tired we wouldn't mind accumulating for the remainder of our lives.
It's not surprising. Anyone who thinks they can travel a distance this long without a flat tire is a foolish fool with fool thoughts. It isn't the van with the flat, though. It's the trailer. But we have a spare. And we change it with vigor.
We go to Festival St. Louis. It's a gigantic fair that brings the entire city under the Arch for fair-like amenities. We eat St. Louis BBQ ribs from a vendor there and they are amazingly delicious. Just...just so good. Everyone is rather pleased with the delightful taste.
The Arch is real tall. And real cool. It's the first major landmark I've ever seen and it makes me feel semi indifferent, but mostly interested. It really is pretty neat. The crowd attending this hoedown is massive and they all congregate in the space under and just behind the massive steel loop.
Also, here's the Arch.
As we walk the fair grounds, an announcement comes over the PA: "We might be experiencing 8-10 minutes of a downpour--hang in there!" Turns out they weren't lying. As the entirety of the band goes under the Arch to look at the various museums down there, Virginia and I abstain on account of the fact they don't allow outside drinks. Later on, we find out what looked like a cup with the universally understood "no" ring around it is actually a can of mace. Which means they get enough people misusing cans of mace in museums to merit a sign on the door. It also means Virginia and I could have seen the museums. But we didn't. Instead, we get downpoured on.
My beautiful bride to be doused in St. Louis rain, holding our fair lemonade. Another fun surprise of Festival St. Louis, aside from the rain, we get the chance to listen in on a live show from which we can draw quality musical inspiration.
It is the B-52s. Apparently, St. Louis plucked these relics from the nearest nursing home and plopped them on the festival main stage for our "enjoyment." I'll tell you something I've learned about watching the B-52s. The longer you watch the B-52s perform live, the more dramatically your will to live dwindles. Every one of their songs other than Love Shack is like a less good version of Love Shack. It's debilitating to listen to the two shriveled old shrews wail and the old not very straight man sing-talk. There's a line between a gimmicky band and a band who doesn't know what everything that isn't a gimmick is. The B-52s are the latter.
Speaking of, leaving the fair grounds under the Arch is absurd. The crowds are hoarding en masse, and everywhere is congested. When we finally get in the car, it takes forever for us to get anywhere. The traffic is thicker than Grizzly Adam's beard. At this rate, we'll be home approximately 8 days after the return of Jesus. See you then.
We arrive home safely, albeit psychologically off. Everyone is exhausted and our bodies aren't sure where we are or why we're there or if we should eat food or if we should not or if we should do a jig of despair at the trip being concluded or do a jaunty shuffle of joy at returning home to familiar humidity as opposed to the strange, stifling, extra humid humidity boasted in Missouri. Last Updated (Wednesday, 07 July 2010 18:20) Big TicketFirst thing's first. I've decided to go from the first person plural perspective to the first person singular. I hope this doesn't jar any of the zero and a half readers who frequent this blog. I feel like I can write up summaries of events better if I say "me" instead of "we," or at least write them more accurately if I stop trying to write like some kind of collective hive mind.
Okay, it didn't quite look like that, but It was, by all working definitions of the word, a barn. Rafters, animal stalls (without the animals), cement flooring. The only thing that would have made it any more of a barn would have been a nice coat of red paint on the outside. Which was a smidgeon of a surprise. I thought we were going to get a stage out in the open, like most stages at music festivals. We did not get that. We got a barn. Never played in a barn before. Weren't quite sure what to think of that.
We set up shop at around 9:30 AM, raising our Slingstone Apostle banner high, and violently accosting those who wouldn't buy our merchandise.
Thirteen dangerous wounds and eight fatalities later, we finally took the stage. We had one of the biggest Indie Stage crowds of the day. On the whole, the Indie Stage never drew that many bodies, but our crowd was reasonable, and we were thankful for everyone that came to see us. We owe an extra special thanks to Tracy, Briana, Marissa, and the rest of the Northern Michigan awesome peeps for everything they did for us at Big Ticket. Our showing would have been a pathetic display of lame if it wasn't for you guys helping to get fliers out there and posting them in bathrooms like the shameless public relations mongrels you are. Thank you.
- TATER Last Updated (Tuesday, 29 June 2010 17:31) |